Bowie

"What I love is, he always has a full vision because of his theatre background," makeup director Bec Prior (Napoleon Perdis) told us backstage at Bowie. The girls were to look weightless, ethereal and as though they'd been "born out of a lake," she said. There were no graphic lines or contouring, instead the shadows were layered on top of each other "in a wash format." They used metallic tones such as China Doll Gel Silver Eyeliner and Ice Storm Loose Dust because they were reflective of the collection. The hair direction was similar: "It's like a '50s style so it's as though she's set it when wet and fallen to the bottom of the lake and she's rising up again, said Kevin Murphy. He used KEVIN.MURPHY Texture Master and Hair Resort Spray to get the look.

Whilst we're still in post-RAFW recovery mode today, we thought it'd be a good time to round up some of last week's biggest shows, best trends, and fill you in on some of the shows you may have missed. There were some stellar Spring/Summer presentations that may not have gotten as much air time as deserved, so we've rounded up our best-of-the-rest pics to satiate your Fashion Week appetite. From Amber & Thomas' essay in colour and print, to Carl Kapp's brilliant drapery, to Bowie's dramatic finale show it's all here. Step inside to ensure you've got the full RAFW report.